The Live Music Scene in Austin Texas

There is more live music going on in Austin, Texas on any given night than there is in any other city in the world. That is why the city has put a trademark on it’s message “Live Music Capital of the World.”

There are 100’s of live music Clubs in the city and its immediate environs.  A lot of are situated in three main entertainment districts: Sixth Street/Red River, the Warehouse district and South Austin. Sixth Street/Red River is the famous sector in downtown Austin that’s known around the world for it is live music scene and frequently boisterous crowds that fill Sixth Street on the weekends when it is closed to traffic. The Warehouse district runs west from Congress Ave. along Fourth and Fifth Streets. That is where Antone’s is located, the Club that U.S. Today has named the best blues venue in the country. In South Austin, there are a number of clubs on South Congress, South 1st St. and South Lamar that provide up some of the best new and original music in town.

The road to its live music capital status began way back in the 1960’s when a spirit of eclecticism appeared with the hippies and anti-war protesters of that era. Inclusion was in and exclusion was out, no pun intended. With the 70’s, this eclectic spirit gave birth to a form of music that was again and again called progressive country. Joe Ely, along with co-Lubbockites Jimmy Dale Gilmore and Butch Hancock, brought this music down to Austin and hooked up with Marcia Ball and Delbert McClinton and cosmic cowboys prefer Jerry Jeff Walker, Michael Martin Murphy, Rusty Weir and Ray Wiley Hubbard. Willie Nelson and Waylon Jennings came back from Nashville during that time to session tle in Austin where they can take control of the production of their tunes. A wild and influential musical vortex formed that saw psychedelic rock and roll mix with straight out country and blues at Clubs such as the Armadillo World Headquarters, Threadgill’s, the Soap Creek Saloon and the Broken Spoke. It was cool to dig the psychedelic sound of the 13th Floor Elevators and the uncompromising country licks of Alvin Crow at the same time.

Then, in 1975, a 30-minute University of Texas music program was accepted by a number of PBS affiliate stations and Austin City Limits was started and has become the longest running program in the history of PBS. It has propelled Austin to the forefront of the music industry’s consciousness in the USA and around the world. That 1st program featured Willie Nelson, but has since put Texas music notables such as Marcia Ball, Lyle Lovett, Robert Earl Keen, Asleep at the Wheel and a lot of, a lot of others in the national and world spotlight.

In more recent years, the South by Southwest showcase every Spring that brings nearly 1500 musicians and musical acts to town to be seen and heard by industry executives and AR categories, along with the Austin City Limits Festival in September, have kept the city on the national music map.  In addition,  dozens of other smaller festivals are held annually, as well as a number of nationally significant ones in the surrounding Hill Country such as the Kerrville Folk Festival and the Old performance tlers Reunion in Buda, just south of town.

The Austin music scene has always been a free-wheeling, break-the-mold, think-out-of-the-box kind of affair. That early eclecticism lives on in the current scene, although some characteristics of the town’s soundscape seem to have become entrenched. Sixth Street/Red River attracts a young, get together animal type of crowd with it is rock and roll, blues and punk scene. The Warehouse district caters to a bit older and more professional crowd in general. And South Austin retains the feel of Austin in the 70’s with its nouveau hippie coffeehouses and crowds and its prefer ence for wonderful singer/songwriters. Still, there are always exceptions to those general tendencies just about anywhere you go.

Austin remains a city where musical creativity and talent thrive and defy expectations. That can be experienced close up and personal in any number of live music Clubs on any given night.